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Phase one capture one pro 12
Phase one capture one pro 12








  1. PHASE ONE CAPTURE ONE PRO 12 SKIN
  2. PHASE ONE CAPTURE ONE PRO 12 SOFTWARE
  3. PHASE ONE CAPTURE ONE PRO 12 SERIES

Click and drag the radial gradient (formerly a brush function), and the ellipse forms from the center. While luminosity masking is the most significant new feature in Capture One 12, others are noteworthy as well.Ī new radial gradient masking tool and improved linear gradient masking tool are found with a click-hold of the Brush tool.

PHASE ONE CAPTURE ONE PRO 12 SKIN

The luminosity mask and skin tone adjustments are immediately applied to the rest of the images. Then select the other images, open the layers palette, and shift-click the double-headed arrow. Create a luminosity mask and adjust one of the images using the Uniformity tools found in the Skin Tone tool of the Color Editor.

phase one capture one pro 12

PHASE ONE CAPTURE ONE PRO 12 SERIES

Effectively, this gives a different mask to adjust the same tonal range in other images, even if the composition is different.įor example, imagine you want to mask and adjust the skin tone in a series of portraits from a session. In Capture One 12, luminosity masks can be copied and pasted into other images to target the same tonal areas as the original. This is the stuff that landscape photographers live for, but the coolest ability of Capture One’s luminosity masking is designed for portraits, especially those made under controlled lighting. The final output after adjusting skin uniformity with a luminosity mask. Additional luminosity masks can be added, and existing ones are non-destructive so they can be readjusted at any time. Luminosity masks are on individual layers so they travel from tool tab to tool tab.

phase one capture one pro 12

Once you’ve masked the tonal values you want, click Apply and make whatever adjustments you had in mind. Fine-tune the mask with Radius and sensitivity sliders. The lower knobs control the feather of the mask. The mask overlay adjusts dynamically with the changes. By dragging the upper knobs, you control the range of tonal values for the mask. A new window appears with the Luma Range controls. After opening an image and navigating to the appropriate tool tab, you apply a new filled layer mask and select the Luma Range button above the layer. After creating a luminosity mask, you can use virtually all of the tools in the appropriate tool tab to adjust the masked area.Īs with all the tools in Capture One, luminosity masking is a visual experience designed for photographers. Luminosity masking is found in the Color, Exposure, and Details tool tabs. You can not only create luminosity masks of subjects but can also easily apply the masks to multiple captures.īy adjusting the sliders in the Luma Range dialog box, you confine the mask to the area of interest. Capture One 12 has simplified this process and extends it for use by portrait and wedding photographers. Landscape photographers have struggled for years to create luminosity masks in Adobe Photoshop as a way to adjust the dynamic range of their captures and blend images together. They allow a new level of selecting, adjusting, and compositing images in Capture One. They are incredibly versatile, convenient, and offer a precise way to target tonal values in an image. Luminosity masks are simply masks that affect certain tonal values in an image.

phase one capture one pro 12

Where version 11 added somewhat improved masking tools, version 12 takes a giant step forward by introducing straightforward luminosity masking along with a new radial gradient masking tool and an improved linear gradient masking tool.

PHASE ONE CAPTURE ONE PRO 12 SOFTWARE

Each full-version release of Capture One software from Phase One offers at least one major new feature as well as a few minor ones, and Capture One 12 is no exception.










Phase one capture one pro 12